I am an artist and arts administrator in Somerville, MA, originally from Philadelphia, PA. My studio practice is based in book arts and ceramics, and community building through hands-on teaching. Through my BA in studio art and math from Wellesley College, I discovered the joy of hands-on work in the college’s Book Arts Lab and conservation facilities. After graduating at the onset of the COVID-19 pandemic, I deepened my practice in letterpress printing and artist books as a studio assistant to book designer Ken Botnick. I was the primary printer and binder for projects including Botnick’s Table of Contents (2020), Mood Indigo (2022), and Six Memos (2024), now held in renowned collections including the Library of Congress and The Getty Center for Humanities, among others. My 2024 publication, Radiant Sources, explores mind-body-object-environment relationships through tactile sensation and visual perception. The book is held in the special collections of Washington University in St. Louis, Bowdoin College, and the Boston Athenaeum.
Concurrent with studio work, I've been an arts administrator committed to supporting emerging and contemporary artists for the past five years. From 2022 to 2025, I worked for the non-profit gallery Print Center New York, where I established the “New Voices” emerging artist exhibition and professional development program, leading outreach to print-based artists across the United States. My work in exhibition management also supported exhibitions including Nicole Eisenman: Prince (2023), Marie Watt: Storywork (2024), and Data Consciousness: Reframing Blackness in Contemporary Print (2025). Currently, I work in the Department of Contemporary Art at the Museum of Fine Arts Boston, where I support the exhibition program and steward acquisitions to the permanent collection. I am an advocate for expanded access to making and seeing artwork across the arts ecosystem, with a particular focus on increasing transparency in institutional processes for working artists.